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Post by niko on Oct 27, 2014 10:00:34 GMT
That shot is strangely hypnotizing.
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Chris
Ensign Ellie
Posts: 37
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Post by Chris on Oct 28, 2014 0:57:59 GMT
Nice look. Might I suggest adding some space between No One and Forgives on the trailer, as well as perhaps putting a little delay between the two groups?
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Post by pabastien on Oct 28, 2014 0:58:25 GMT
Yeah, I like atypical lateral tracking shots (left to right) because it goes against western views of conveying information (data and forward momentum is asserted as left to right). So much the shot becomes oddly alien and people fixate on it.
The idea of a 3 lines of lines of exposition and then fade into a severed arm and the title card "AMERICA 2065" which then pans to the villain. And then jump cuts in to an upward crane/jib shot moving from foot to head that revolves/reframes to reveal his (masked) face which then pulls out in a smooth motion that pans/tracks the character as he moves through the debris, fire and dead bodies.
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